Bach Bibliography Search Result

Author : Walker, Paul
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Walker, Diane Parr; Walker, Paul	German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. Warren, Michigan: Harmonie Park Press, 1992. xxxv, 434p. ISBN: 0-89990-054-2. (= Detroit Studies in Music Bibliography, 67)				1992	xxxv, 434p
	2.	Walker, Paul	Die Entstehung der Permutationsfuge.	BachJb	75		1989	21-41
	3.	Walker, Paul	American Bach Society Biennial Conference 7-10 April 2016 University of Notre Dame.	BachNotesABS		23	Fall 2015	6
	4.	Walker, Paul	Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue.	BachPerspectives	4		1999	159-179
	5.	Walker, Paul	Rhetoric, the ricercar, and J. S. Bach's Musical Offering.	BachStud	2		1995	175-191
	6.	Walker, Paul (ed.)	Sacred Works for Five Voices and Instruments, Part 3 / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7512-8. (= Dieterich Buxtehude: The Collected Works, Vol. 12)	BuxtehudeCW	12		2018
	7.	Walker, Paul	Miscellanea: Sacred Works for Five and/or Six Voices and Instruments, Occasional Works, Canons, Dubia / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7513-6. (= Dieterich Buxtehude: The Collected Works, Vol. 13)	BuxtehudeCW	13		2018
	8.	Walker, Paul (ed.)	Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. Ann Arbor: UMI Research Press, 1990. 396p. ISBN: 0-8357-1938-3.	[ce]ChurchStageStudio			1990	396p
	9.	Walker, Paul	Counterpoint, Canons and the Late Works. [Chapter 15] Part IV: Genres and Forms. [main headings: Bach's Compositions of His Last Years; Music Theory and Compositional Process; Bach and Fugue; Goldberg Variations; Bach and Canon; Musical Offering; Canonic Variations on Vom Himmel hoch; Art of Fugue]	[ce]RoutledgeResearchCompanion			2017	377-397
	10.	Walker, Paul	Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. Unpublished and expanded paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'.	[cr]Belfast2007	2		2007	368-386
	11.	Walker, Paul	Die Fuge in den Vokalwerken von Dieterich Buxtehude und Nicolaus Bruhns.	[cr]Lübeck2000			2002	256-271
	12.	Walker, Paul	Zur Geschichte des Kontrasubjekts und zu seinem Gebrauch in den frühesten Klavier- und Orgelfugen Johann Sebastian Bachs.	[cr]Rostock1990			1995	48-69
	13.	Walker, Paul Mark	Fugue in German Theory from Dressler to Mattheson. PhD. State Univ. of New York at Buffalo. 1987. x, 664p.	diss.			1987	x, 664p
	14.	Walker, Paul	Fingering, Bach and the Wegweiser.	EarlyKStudNL	1	3	1985	1-5
	15.	Walker, Paul Mark	Theories of Fugue from the Age of Josquin to the Age of Bach. Rochester Univ. Press, 2000. 485p. ISBN: 1-580-46029-1. (= Eastman Studies in Music, 13)	EastmanStudM	13		2000	485p
	16.	Walker, Paul	Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 9.	[p]ABS_Leipzig			May 2006
	17.	Walker, Diane Parr; Walker, Paul	Sources of German Polyphonic Vocal Music Between Schütz and Bach: A Report on Work in Progress. A paper read at the Capital Chapter meeting of the AMS on 12 April 1986 at Towson State University.	[p]AMS_Capital			Apr 1986
	18.	Walker, Paul	From Renaissance Fuga to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.	[p]AMS_Vancouver			Nov 1985
	19.	Walker, Paul	Die Fuge in den Vokalwerken von Buxtehude und Bruhns. Paper read at Internationales Symposion und Konzerte 'Bach, Lübeck und die norddeutsche Musiktradition', Lübeck, 27-30 April 2000	[p]ISK_Luebeck			Apr 2000
	20.	Walker, Paul	From Renaissance 'Fuga' to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'.	SchützJb	7-8		1985-86	93-104
	21.	Walker, Paul	The origin of the permutation fugue. In: Studies in the history of music. Vol.3, The creative process. (New York, 1993)	StudHistM(NY)	3		1993	51-91